Jetzt im Ohr (2023)

    • Offizieller Beitrag

    CD 8 [39:45]

    Klemperer/Kempe - Beethoven & Brahms: Complete Symphonies (Documents 1960-1976)

    Johannes Brahms (1833-1897)

    Sinfonie Nr. 2 D-dur Op. 73
    1. Allegro Non Troppo 15:59
    2. Adagio Non Troppo 9:32
    3. Allegretto Grazioso (Quasi Andantino) 5:12
    4. Allegro Con Spirito 9:00

    Münchner Philharmoniker

    Rudolf Kempe

    1975

    • Offizieller Beitrag


    Georg Friedrich Händel (1685-1759)
    Acis und Galatea (in der Fassung Mendelssohns) [72:48]


    1 Ouverture 3:22

    2 Coro: Oh wie reizend ist dies Tal 5:37

    3 Recit. (Galatea): Du grüne Flur 1:04

    4 Aria (Galatea): Schweig, oh luft’ger Sängerchor 5:12

    5 Aria (Acis): Wo find ich dich 2:24

    6 Recit. (Damon): Sei wachsam, Hirt 0:29

    7 Aria (Damon): Junger Hirt, du suchst vergebens 04:59

    8 Recit. (Acis): Geliebte, sieh, oh Galatea 0:30

    9 Aria (Acis): Lieb’ in den Blicken wohnet 2:38

    10 Recit. (Galatea): Oh kenntest du der Trennung bitt’re Pein 0:21

    11 Duetto (Galatea, Acis): Selig Glück 1:44

    12 Coro: Selig Glück 1:17

    13 Coro: Unglücksel’ge, das Geschick 4:00

    14 Recit. (Polyphem): Ich rase 1:13

    15 Aria (Polyphem): Du röter als die Kirsche 2:47

    16 Recit. (Polyphem, Galatea): Willst du, Schönste, nicht verweilen 1:14

    17 Aria (Polyphem): Wohl das Flehen will ich lassen 2:13

    18 Aria (Damon): Liebe kannst du nur gewinnen 4:12

    19 Recit. (Acis): Des Riesen Lieb 0:29

    20 Aria (Acis): Auf in den Kampf 3:57

    21 Aria (Damon): Sieh, törichter Schäfer 3:13

    22 Recit. (Galatea): Still, o still, du holder Knab 0:27

    23 Trio (Galatea, Acis, Polyphem): Den Berg verlässt die Herde 2:31

    24 Recit. (Acis): Hilf, Galatea! 1:14

    25 Coro: Weint all ihr Musen 4:00

    26 Aria con coro (Galatea, TTBB): Muss ich dem Teuren Klage weihn 4:00

    27 Recit. (Galatea): Wohlan, so üb ich Göttermacht an dir 0:28

    28 Aria (Galatea): Herz, der süßen Liebe Bild 4:21

    29 Coro: Galatea, trau’re nicht 2:48


    Bass Vocals – Wolf Matthias Friedrich (14, 15, 16, 17, 23)
    Soprano Vocals – Julia Kleiter (3, 4, 10, 11, 16, 22, 23, 27, 28)
    Tenor Vocals – Christoph Prégardien (5, 8, 9, 11, 19, 20, 23, 24), Michael Slattery (6, 7, 18, 21)

    NDR Chor (2, 12, 13, 25, 26, 29)

    Festspielorchester Göttingen

    Nicholas McGegan

    15.-17. Mai 2008 (Stadthalle Göttingen)

    Label

    rondomagazin.de: Michael Wersin, 08.01.2009

    musicweb-international.com: Robert Hugill

    gramophone.co.uk: David Vickers

    • Offizieller Beitrag

    CD 9 [49:31]

    Klemperer/Kempe - Beethoven & Brahms: Complete Symphonies (Documents 1960-1976)

    Johannes Brahms (1833-1897)

    Variationen Ueber Ein Thema Von Joseph Haydn
    Thema: Chorale St. Antoni Mit 8 Variationen Und Finale: Andante 16:59

    Sinfonie Nr. 3 F-dur Op. 90
    1. Allegro Con Brio 9:31
    2. Andante 8:02
    3. Poco Allegretto 6:01
    4. Allegro 8:52

    Münchner Philharmoniker

    Rudolf Kempe

    1976

    • Offizieller Beitrag

    CD 10 [39:39]

    Klemperer/Kempe - Beethoven & Brahms: Complete Symphonies (Documents 1960-1976)

    Johannes Brahms (1833-1897)

    Sinfonie Nr. 4 E-moll Op. 98
    1. Allegro Non Troppo 12:20
    2. Andante Moderato 11:04
    3. Allegro Giocoso 6:33
    4. Allegro Energico E Passionato (Tema Con Variazi 9:41

    Münchner Philharmoniker

    Rudolf Kempe

    1975

    • Offizieller Beitrag

    CD 1 [73:34] und 2 [77:21]

    Johann Simon (Giovanni Simone) Mayr (1763-1845)

    Elena. Opera semiseria in two acts (1814). Libretto by Andrea Leone Tottola (?–1831). First performance: 28 January 1814, Teatro de’ Fiorentini, Naples, Italy [2h 31:03]

    CD 1 [73:34]

    1 Sinfonia 8:15

    Act I


    Scene 1
    2 Introduction: Come veloce ruota tu giri 5:15
    (Peasants, Anna, Ernesta, Urbino)
    3 Recitative: Or bene al padre tuo 1:14
    (Urbino, Anna, Ernesta)
    4 Aria: Che dolce piacere 5:06
    (Urbino)
    5 Recitative: Eh vada pure 0:17
    (Anna)
    Scene 2
    6 Aria: Quanno co la perucca 6:09
    (Carlo)
    Scene 3
    7 Recitative: Oh gran virtù del canto! 1:46
    (Carlo, Anna, Ernesta)
    8 Duet: Buon dì … pardon garbato 7:16
    (Riccardo, Carlo)
    9 Recitative: Or via giacchè siam soli 3:21
    (Carlo, Riccardo, Urbino, Anna)
    Scene 4
    10 Aria: Brutto uccello di rapina! 3:52
    (Anna)
    11 Recitative: Non son chi son 0:55
    (Urbino, Paolino, Riccardo)
    12 Romance: Un Provvenzale d’illustre stato 4:42
    (Riccardo, Paolino)
    Scene 6
    13 Quartet and Chorus: Cantiam de’ nostri cuori 7:49
    (Chorus, Carlo, Harvesters, Anna, Ernesta,
    Paolino, Urbino)
    14 Scene: Son solo … o miei sospiri! –
    Aria: Ah! se mirar potessi 9:43
    (Costantino)
    Scene 7
    15 Recitative: A dir ver il Signor Governatore 2:45
    (Carlo, Costantino, Riccardo)
    Scene 8
    16 Trio: Oh Ciel! che miro! 5:12
    (Costantino, Riccardo, Carlo)

    CD 2 [77:21]

    Scene 9
    17 Recitative: Povero Costantino,
    quanti sofferto avrai stenti 1:45
    (Riccardo, Costantino, Carlo, Urbino, Anna)
    18 Finale: Che ascolto! 17:37
    (Riccardo, Anna, Urbino, Costantino, Carlo,
    Ernesta, Herald, Governor, Guards, Paolino,
    Shepherd, Elena, Adolfo)

    Act II
    Scene 1
    19 Recitative: Entriamo, e al Conte Edmondo 0:57
    (Ernesta, Anna, Urbino)
    20 Trio: S’è ver, che un vivo ardore 3:15
    (Anna, Ernesta, Urbino)
    Scene 2
    21 Recitative: Tosto al Governator di Tarascone 2:20
    (Governor, Ernesta, Anna, Urbino, Edmondo)
    Scene 3
    22 Oh tu, che ognor fastosa – Aria: Vieni a me … 8:48
    (Edmondo, Guards)
    Scene 4
    23 Recitative: Governatore è vero ciò
    che intesi testè? 3:57
    (Edmondo, Governor, Carlo)
    Scene 5
    24 Duet: Chiaro favella, e breve 6:24
    (Edmondo, Carlo)
    25 Recitative: E un vil pastor de miei voler vantarsi
    delusore potrà? 1:52
    (Edmondo, Carlo, Governor)
    Scene 6
    26 I sensi generosi –
    Aria: Di pietà, che in te favella 4:59

    27 Recitative: Tutto rigore egli è, ma il vero ignora 2:52
    (Edmondo, Elena, Adolfo, Carlo)
    Scene 7
    28 Aria: Ah! non partir! 5:48
    (Elena)
    29 Recitative: Oh cor di madre
    a che non giungi mai? 1:05
    (Edmondo, Carlo, Elena)
    Scene 8
    30 Scene and Sextet: Ma qual gente si appressa? 10:27
    (Edmondo, Anna, Elena, Carlo, Chorus, Guards,
    Governor, Costantino)
    31 Recitative: Guardie, colui che tanto cercaste
    è in poter vostro 3:12
    (Edmondo, Carlo, Anna, Costantino, Elena,
    Governor, Adolfo, Urbino)
    Scene 9
    32 Finale: Gnorsì … nuje ve credimmo 2:02
    (Carlo, Chorus, Adolfo, Edmondo, Anna, Governor,
    Urbino, Costantino, Elena)

    Elena / Riccardo...........................................................Julia Sophie Wagner, Soprano
    Costantino.......................................................................................Daniel Ochoa, Bass
    Paolino / Adolfo........................................................................Mira Graczyk, Soprano
    Carlo............................................................................................Niklas Mallmann, Bass
    Edmondo.....................................................................................Markus Schäfer, Tenor
    Anna.................................................................. Anna-Doris Capitelli, Mezzo-soprano
    Ernesta............................................................................................Anna Feith, Soprano
    Governor................................................................................................. Fang Zhi, Tenor
    Herald...............................................................................................Harald Thum, Tenor
    Urbino..............................................................................Andreas Mattersberger, Bass

    Simon Mayr Chorus
    Concerto de Bassus (Theona Gubba-Chkheidze, Concertmaster)
    Franz Hauk
    17.–25. August 2018 (Kongregationssaal, Neuburg an der Donau, Bavaria, Germany)

    Label

    klassik-begeistert.de: Peter Sommeregger: Eine weitere Mayr-Ausgrabung

    musicweb-international.com: Göran Forsling

    oper-magazin.de

    klassik.com: Christiane Franke, 06.04.2022: Ungenutzte Chancen

    gramophone.co.uk: Richard Wigmoreoperalounge.de: Rolf Fath: Mythische Damen

    • Offizieller Beitrag

    51oDOjK2jYL._UX300_FMwebp_QL85_.jpg

    Georg Friedrich Händel (1685-1759)
    Laudate Pueri HWV 237 (Psalm 112)+Nisi Dominus HWV 238; Chandos Anthems "I will magnify thee" HWV 250b & "O praise the Lord in one consent" HWV 254 [70:27]

    Nisi Dominus, HWV 238 11:13

    1 I. Nisi Dominus 2:03

    2 II. Vanum est 1:48

    3 III. Cum dederit dilectis suis somnum 1:36

    4 IV. Sicut sagittae in manu potentis 1:14

    5 V. Beatus vir 2:07

    6 VI. Gloria Patri 2:31

    Laudate Pueri, HWV 237 19:08

    7 I. Laudate pueri 3:21

    8 II. Sit nomen Domini 2:20

    9 III. A solis ortu 1:24

    10 IV. Excelsus super omnes 2:28

    11 V. Quis sicut Dominus 1:15

    12 VI. Suscitans a terra inopem 2:56

    13 VII. Qui habitare facit 1:59

    14 VIII. Gloria Patri 3:28

    I Will Magnify Thee, HWV 250b 16:00

    15 I. I Will Magnify Thee 3:29

    16 II. O Worship The Lord 2:01

    17 III. Glory and Worship 1:45

    18 IV. Tell It Among the Heathen 3:21

    19 V. Righteousness and Equity 2:26

    20 VI. My Mouth Shall Speak 3:05

    O Praise The Lord With One Consent, HWV 254 23:29

    21 I. O Praise the Lord With One Consent 5:06

    22 II. Praise Him, All Ye That In His House Attend 2:54

    23 III. For This Our Truest Int'rest Is 2:28

    24 IV. That God Is Great 2:31

    25 V. With Cheerful Notes Let All the Earth 3:21

    26 VI. God's Tender Mercy Knows No Bounds 2:43

    27 VII. Ye Boundless Realms of Joy 4:33

    Alto Vocals – Franz Vitzthum
    Bass Vocals – Jens Hamann
    Soprano Vocals – Iris-Anna Deckert*, Susan Eitrich
    Tenor Vocals – Andreas Weller (2), Dieter Wagner (4)

    Gli Scarlattisti

    Capella Principale

    Jochen M. Arnold

    1.-3. Februar 2008 (Evangelische Kirche, Gönningen)

    • Offizieller Beitrag

    Georg Friedrich Händel (1685-1759)

    Italian Cantatas [67:37]

    Delirio Amoroso, HWV 99 (34:17)
    1 Introduzione 4:44
    2 Recitativo: "Da Quel Giorno Fatale" 0:55
    3 Aria: "Un Pensiero Voli In Ciel" 8:24
    4 Recitativo: "Ma Fermati Pensier" 1:15
    5 Aria: "Per Te Lasciai La Luce" 7:36
    6 Recitativo: "Non Ti Bastava, Ingrato" 0:59
    7 Aria: "Lascia Omai Le Brune Vele" - Recitativo: "Ma Siamo Giunti In Lete" 5:28
    8 Entrée 2:06
    9 Arietta E Recitativo: "In Queste Amene Piagge Serene" (Minuet) - "Sì, Disse Clori" (Recitativo) - Minuet 2:50

    Oboe, Soloist – Yann Miriel

    Recorder, Soloist – Sébastien Marq

    Violin, Soloist – Anton Steck

    Violoncello, Soloist – Balázs Máté

    La Lucrezia, HWV 145 (17:05)
    10 Recitativo: "O Numi Eterni!" 1:02
    11 Aria: "Già Superbo Del Mio Affanno" 5:19
    12 Recitativo: "Ma Voi Forse Nel Cielo" 0:44
    13 Aria: "Il Suol Che Preme" 2:50
    14 Recitativo: "Ah! Che Ancor Nell'abisso" - Furioso: "Questi La Disperata Anima Mia" 1:28
    15 Aria: "Alla Salma Infedel Porga La Pena" 3:00
    16 Recitativo: "A Voi, A Voi, Padre, Consorte" 0:55
    17 Arioso: "Già Nel Seno Comincia A Compir" - Furioso: "Ma Se Qui Non M'è Dato" 1:47

    Bassoon – Jean-Louis Fiat

    Double Bass – Michel Maldonado

    Harpsichord, Organ – Mirella Giardelli

    Lute, Guitar – Dolores Costoyas

    Theorbo – Pascal Monteilhet

    Viola da Gamba – Juan-Manuel Quintana*

    Violoncello – Balázs Máté

    "Tra Le Fiamme", HWV 170 (16:15)
    18 Aria: "Tra Le Fiamme Tu Scherzi" - Recitativo: "Dedalo Già Le Fortunate Penne" 6:35
    19 Aria: "Pien Di Nuovo E Bel Diletto" - Recitativo: "Si, Si, Pur Troppo È Vero" 4:18
    20 Aria: "Voli Per L'aria Chi Può Volare" - Recitativo: "L'uomo, Che Nacque Per Salire Al Cielo" 2:52
    21 Da Capo: "Tra Le Fiamme Tu Scherzi" 2:30

    Viola da Gamba, Soloist – Juan-Manuel Quintana*

    Bassoon [Continuo] – Jean-Louis Fiat

    Contrabass – André Fournier

    Contrabass [Continuo] – Michel Maldonado

    Harpsichord, Organ [Continuo] – Mirella Giardelli

    Lute, Guitar [Continuo] – Dolores Costoyas

    Oboe – Yann Miriel

    Recorder – Frédérique Thouvenot, Sébastien Marq

    Theorbo [Continuo] – Pascal Monteilhet

    Viola – Diane Chmela, Nadine Davin

    Viola da Gamba [Continuo] – Juan-Manuel Quintana*

    Violin [II] – Alexandra Delcroix, Annie Garcia, Florence Stroesser, Renée Holleville, Sharman Plesner, Simon Dariel

    Violin [I] – Anton Steck, Christoph Timpe, Cécile Mille, Geneviève Bois, Laurent Lagresle, Thérèse Kipfer

    Violoncello – Aude Vanackère, Claire Giardelli, Pascal Gessi

    Violoncello [Continuo] – Balazs Maté*

    Mezzo-soprano Vocals – Magdalena Kožená

    Les Musiciens du Louvre

    Marc Minkowski

    Dezember 1999 (Paris, Maison de Radio France, Salle Olivier Messiaen: live)

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    Ludger Lohmann: Orgelsonaten aus vier Jahrhunderten [61:00]

    Bernardo Pasquini (1637 - 1710)

    1 Sonata in F 3:51

    Johann Sebastian Bach (1685 - 1750)

    Sonata III d-Moll BWV 527

    2 1. Andante 5:11

    3 2. Adagio e dolce 3:47

    4 3. Vivace 3:49

    Carl Philipp Emanuel Bach (1714 - 1788)

    5 Sonata D-Dur Wq70/5, H86 1. Allegro di molto 4:29

    6 2. Adagio e mesto 4:21

    7 3. Allegro 3:31

    Gustav Adolf Merkel (1827 - 1885)

    Sonate Nr. 5 d-Moll op. 118

    1. Allegro risoluto 3:52

    8 9 2. Andante 3:44

    10 3. Allegro risoluto � Fuga. Con moto Gustav 5:29

    Hugo Distler (1908 - 1942)

    Orgelsonate (Trio) op. 18/1

    11 1. 2:46

    12 2. 2:03

    13 3.4:31

    Hermann Schroeder (1904 - 1984)

    Erste Sonate

    14 1. Allegro risoluto 2:58

    15 2. Larghetto cantabile 3:18

    16 3. Allegro con spirito 2:45

    Tracklist

    Ludger Lohmann: Rohlf-Orgel der St. Aurelius-Kirche in Hirsau

    4. und 5. Juni 2007

    Max, wo bist du? ;(

    • Offizieller Beitrag

    CD 2 [71:04]

    Franz Liszt (1811-1886)
    Années De Pèlerinage - Complete Recording. Annees de Pelerinage (Gesamtaufnahme)

    Deuxième Année: Italie - S. 161
    2-01 Sposalizio 8:13
    2-02 Il Penseroso 4:39
    2-03 Canzonetta Del Salvatore Rosa 2:49
    2-04 Sonetto 47 Del Petrarca 5:17
    2-05 Sonetto 104 Del Petrarca 6:42
    2-06 Sonetto 123 Del Petrarca 7:05
    2-07 Après Une Lecture Du Dante (Fantasia Quasi Sonata) 16:59

    Supplément Aux Années De Pèlerinage 2nd Volume: Venezia E Napoli - S. 162
    2-08 Gondoliera 6:00
    2-09 Canzone 3:59
    2-10 Tarantella 9:21

    Lazar Berman, Klavier

    Mai 1977 (München, Residenz, Alter Herkulessaal)

    Letzte Nacht ...

    • Offizieller Beitrag

    SACD 1 [61:15], 2 [60:25] und 3 [39:29]

    Georg Friedrich Händel (1685-1759)

    Jephtha - HWV 70 - Dramatisches Oratorium in drei Teilen (1751) [151:09]

    SACD 1 [61:15]

    Act 1
    1.1 Ouverture 5:39
    1.2 Menuet 1:29
    1.3 Accompagnato. It Must Be So 1:35
    1.4 Air. Pour Forth No More 5:19
    1.5 Chorus Of Israelites. No More To Ammon's God 2:51
    1.6 Recit. But Jeptha Comes 1:06
    1.7 Air. Virtue My Soul Shall Still Embrace 4:08
    1.8 Recit. 'Twill Be A Painful Separation 0:33
    1.9 Air. In Gentle Murmurs Will I Mourn 4:46
    1.10 Recit. Happy This Embassy 0:46
    1.11 Air. Dull Delay, In Piercing Anguish 2:58
    1.12 Recit. Ill Suits The Voice Of Love 0:30
    1.13 Air. Take The Heart You Fondly Gave 3:20
    1.14 Recit. I Go 0:27
    1.15 Duet. These Labours Past 5:54
    1.16 Recit. What Mean These 0:49
    1.17 Accompagnato. If, Lord, Sustain'd 0:39
    1.18 Recit. 'Tis Said 0:17
    1.19 Chorus Of Israelites. O God, Behold 3:54
    1.20 Recit. Some Dire Event 0:28
    1.21 Air. Scenes Of Horror, Scenes Of Woe 4:14
    1.22 Recit. Say, My Dear Mother 0:56
    1.23 Air. The Smiling Dawn Of Happy Days 3:25
    1.24 Recit. Such, Jeptha 0:30
    1.25 Chorus Of Israelites. When His Loud Voice 4:41

    SACD 2 [60:25]

    Act 2
    2.1 Recit. Glad Tidings Of Great Joy 1:21
    2.2 Chorus Of Israelites. Cherub And Seraphim 3:02
    2.3 Air. Up The Dreadful Steep Ascending 5:01
    2.4 Recit. 'Tis Well. Haste, Haste 0:23
    2.5 Air. Tune The Soft Melodious Lute 3:40
    2.6 Recit. Again Heav'n Smiles 0:22
    2.7 Air. Freedom Now 3:19
    2.8 Recit. Zebul, Thy Deeds Were Valiant 0:16
    2.9 Air. His Mighty Arm 5:28
    2.10 Chorus Of Israelites. In Glory High 2:52
    2.11 Symphony 1:08
    2.12 Recit. Hail, Glorious Conqueror 0:24
    2.13 Air. Welcome, As The Cheerful Light / Chorus Of Israelites. Welcome Thou 4:34
    2.14 Recit. Horror, Confusion! 0:27
    2.15 Air. Open Thy Marble Jaws, O Tomb 4:15
    2.16 Recit. Why Is My Brother 1:11
    2.17 Accomp., Arioso. First Perish Thou 2:24
    2.18 Recit. If Such Thy Cruel Purpose 0:18
    2.19 Air. On Me Let Blind Mistaken Zeal 1:40
    2.20 Quartet. Oh, Spare Your Daughter 2:34
    2.21 Recit. Such News Flies Swift 0:31
    2.22 Accompagnato. Happy they! 0:47
    2.23 Air. Happy They! 3:15
    2.24 Accompagnato. Deeper And Deeper 3:31
    2.25 Chorus Of Israelites. How Dark, O Lord 7:39

    SACD 3 [39:29]

    Act 3
    3.1 Arioso. Hide Thou Thy Hated Beams 2.28
    3.2 Accompagnato. A Father Off'ring Up 0:19
    3.3 Air. Waft Her, Angels 3:42
    3.4 Accompagnato. Ye Sacred Priests 0:38
    3.5 Air. Farewell, Ye Limpid Springs 5:36
    3.6 Chorus Of Pries ts. Doubtful Fear 3:38
    3.7 Symphony 2:42
    3.8 Recit. Rise, Jeptha 1:08
    3.9 Air. Happy, Iphis Shalt Thou Live 4:23
    3.10 Arioso. For Ever Blessed Be 1:27
    3.11 Accompagnato. Theme Sublime Of Endless Praise 3:14
    3.12 Recit. Let Me Contratulate 0:32
    3.13 Air. Laud Her, All Ye Virgin Train 2:13
    3.14 Recit. My Faithful Hamor 0:18
    3.15 Quintet. All That Is In Hamor Mine 3:22
    3.16 Chorus Of Israelites. Ye House Of Gilead 3:14
    3.17 Applause

    Alto Vocals – Britta Schwarz
    Alto Vocals [Altus] – Patrick van Goethem
    Bass Vocals – Gotthold Schwarz
    Soprano Vocals – Birte Kulawik, Miriam Meyer
    Tenor Vocals – Markus Schäfer (5)

    Kammerchor der Frauenkirche

    Dresdner Barockorchester

    Matthias Grünert

    24.-28. Juni 2008 (Frauenkirche Dresden)

    Label

    rondomagazin.de: Michael Wersin, 11.09.2009

    musicweb-international.com: Brian Wilson

    tagesspiegel.de: Udo Badelt: Dresdner Frauenkirche: Höhere Gewalt

  • Der Ausflug in die Norddeutsche Orgelschule geht weiter:

    Michael Praetorius

    Sämtliche Orgelwerke
    mit Stücken von: David Abel, Johann Bahr, Jakob Bölsche, Petrus Hasse I, Petrus Hasse II, Wilhelm Karges, Hieronymus Praetorius III, Andreas Werckmeister & Melchior Woltmann

    Friedhelm Flamme

    Der Großmeister seiner Zeit - Michael Pratorius - war in allen Gattungen zuhause, auch in Sachen Orgel. In seinen Drucken finden sich nicht viele Stücke von ihm, aber sie gehören zu den besten, die es bis dato gab.

    Danach folgen die erhaltenen Werke von weiteren norddeutschen Organisten, die ihre Kunst vermittelten. Zeitlich wirkten sie von ca. 1595 bis 1708.

    Unser *opi* nahm *opi*-um - Bumms! fiel unser *opi* um.

  • Carl Philipp Emanuel Bach

    Sonate für 2 Flöten & bc Wq. 86 & 162

    Johann Sebastian Bach

    Sonate für Viola & obligates Cembalo BWV 1028

    Sonate für 2 Flöten & bc BWV 1039

    Wilhelm Friedemann Bach

    Sonate für 2 Flöten & bc Fv. 47

    A Deux Fleustes Esgales

    Unser *opi* nahm *opi*-um - Bumms! fiel unser *opi* um.

  • Johann Sebastian Bach

    Sonate für Viola da gamba & obligates Cembalo BWV 1027-1029

    Triosonate Nr. 4 BWV 528

    Guido Balestracci (Viola da gamba)

    Blandine Rannou (Cembalo)

    Unser *opi* nahm *opi*-um - Bumms! fiel unser *opi* um.

    • Offizieller Beitrag

    CD 1 [73:34] und 2 [77:21]

    Johann Simon (Giovanni Simone) Mayr (1763-1845)

    Elena. Opera semiseria in two acts (1814). Libretto by Andrea Leone Tottola (?–1831). First performance: 28 January 1814, Teatro de’ Fiorentini, Naples, Italy [2h 31:03]

    Elena / Riccardo...........................................................Julia Sophie Wagner, Soprano
    Costantino.......................................................................................Daniel Ochoa, Bass
    Paolino / Adolfo........................................................................Mira Graczyk, Soprano
    Carlo............................................................................................Niklas Mallmann, Bass
    Edmondo.....................................................................................Markus Schäfer, Tenor
    Anna.................................................................. Anna-Doris Capitelli, Mezzo-soprano
    Ernesta............................................................................................Anna Feith, Soprano
    Governor................................................................................................. Fang Zhi, Tenor
    Herald...............................................................................................Harald Thum, Tenor
    Urbino..............................................................................Andreas Mattersberger, Bass

    Simon Mayr Chorus
    Concerto de Bassus (Theona Gubba-Chkheidze, Concertmaster)
    Franz Hauk
    17.–25. August 2018 (Kongregationssaal, Neuburg an der Donau, Bavaria, Germany)

    Label

    klassik-begeistert.de: Peter Sommeregger: Eine weitere Mayr-Ausgrabung

    musicweb-international.com: Göran Forsling

    oper-magazin.de

    klassik.com: Christiane Franke, 06.04.2022: Ungenutzte Chancen

    gramophone.co.uk: Richard Wigmoreoperalounge.de: Rolf Fath: Mythische Damen

    Ich werde noch Mayrianer ... :jubel: *yepp* :love:

    • Offizieller Beitrag

    SACD 1 [76:06], 2 [43:58] und 3 [45:03]

    Georg Friedrich Händel (1685-1759)

    Saul - HWV 53) - Oratorium in drei Akten (1738, Ua.: 1739) [165:07]

    SACD 1 [76:06]

    Act 1

    1 Symphony 11:29
    2 Chorus. How excellent thy name 2:31
    3 Air. An Infant rais'd 1:09
    4 Trio. Along the monster Atheist 1:11
    5 Chorus. The Youth inspir'd 2:02
    6 Chorus. How excellent 2:24
    7 Recit. He comes / Air. O God-like youth! 3:21
    8 Recit. Behold, O King 0:46
    9 Air. O King, your favours with delight 4:19
    10 Recit. O early piety! 0:21
    11 Air. What abject thoughts 2:06
    12 Recit. Yet think 0:19
    13 Air. Birth and fortune I despise! 4:37
    14 Recit. Go on, illustrious pair! 0:20
    15 Air. While yet thy tide 2:26
    16 Recit. Thou, Merab, first in birth 0:21
    17 Air. My soul rejects the thoughts 1:14
    18 Air. See with what a scornful air 1:10
    19 Air. Ah! lovely youth! 0:55
    20 Symphony 1:06
    21 Recit. Already see 0:19
    22 Chorus. Welcome, welcome, mighty King! 1:30
    23 Accompagnato. What do I hear? 0:24
    24 Chorus. David his ten thousands slew 0:32
    25 Accompagnato. To him ten thousands! 0:21
    26 Air. With rage I shall burst 1:25
    27 Recit. Imprudent women! 0:44
    28 Air. Fell rage and black despair 2:43
    29 Recit. This but the smallest part 0:25
    30 Accompagnato. By thee 2:03
    31 Recit. Rack'd with infernal pains 0:22
    32 Air. O Lord, whose mercies 3:41
    33 Symphony 1:28
    34 Recit. 'Tis all in vain 0:14
    35 Air. A serpent in my bosom 1:54
    36 Recit. Has he escaped my rage? 0:27
    37 Air. Capricious man 5:51
    38 Accompagnato. O filial piety! 1:19
    39 Air. No, cruel father, no! 1:35
    40 Air. O Lord, whose providence 1:41
    41 Chorus. Preserve him for the glory 2:37

    SACD 2 [43:58]

    Act 2


    1 Chorus. Envy! eldest born of Hell! 2:09
    2 Recit. Ah! dearest friend 0:33
    3 Air. But sooner Jordan's stream 2:06
    4 Recit. O strange 0:48
    5 Air. Such haughty beauties 4:12
    6 Recit. My father comes 0:19
    7 Recit. Hast thou obey'd 0:39
    8 Air. Sin not, O King 1:57
    9 Air. As great Jehova lives 1:03
    10 Air. From cities storm'd 1:56
    11 Recit. Appear, my friend 0:31
    12 Air. Your words, O King 0:59
    13 Recit. Yes, he shall wed my daughter! 0:29
    14 Recit. A father's will 0:30
    15 Duet. O fairest 2:25
    16 Chorus. Is there a man, who all his ways 1:21
    17 Symphony 6:04
    18 Recit. Thy father is as cruel 0:35
    19 Duet. At persecution 1:15
    20 Recit. Whom dost thou seek? 0:41
    21 Air. No, no; let the guilty tremble 1:31
    22 Recit. Mean as he was 0:55
    23 Air. Author of peace 3:28
    24 Symphony 1:05
    25 Accompagnato. The time at length 0:37
    26 Recit. Where is the son 1:04
    27 Chorus. O fatal consequence of rage 4:29

    SACD 3 [45:03]

    Act 3

    1 Accompagnato. Wretch that I am 2:25
    2 Recit. and Accompagnato. 'Tis said 0:51
    3 Recit. With me what would'st 1:00
    4 Air. Infernal spirits 2:14
    5 Accompagnato. Why hast thou 3:25
    6 Symphony 0:32
    7 Recit. Whence comest 1:15
    8 Air. Impious wretch 1:50
    9 Dead March 4:30
    10 Chorus. Mourn, Israel 4:38
    11 Air. O let it not in Gath be heard 2:14
    12 Air. From this unhappy day 2:58
    13 Air. Brave Jonathan his bow 2:29
    14 Chorus. Eagles were not so swift as they 0:18
    15 Air. In sweetest harmony 4:13
    16 Solo and Chorus. O fatal day! 4:30
    17 Recit. Ye Men of Judah 0:29
    18 Chorus. Gird on thy sword 5:01

    Yorck Felix Speer, Bass (Saul)
    Tim Mead, Altus (David)
    Maximilian Schmitt, Tenor (Jonathan)
    Ditte Andersen, Sopran (Michal)
    Anna Prohaska, Sopran (Merab)
    Eric Stokloßa, Tenor (Priest / Witch)
    Clemens Heidrich, Bass (Ghost)

    Dresdner Kammerchor
    Dresdner Barockorchester
    Hans-Christoph Rademann, Leitung

    11.-12. Juli 2008 (Frauenkirche Dresden)

    Label